https://hdl.handle.net/20.500.12879/48 2026-08-30T12:35:18Z https://hdl.handle.net/20.500.12879/116 Persistent othering in Turkish cinema: the stereotyped and gendered Greek identity Yilmazok, Levent In Turkish cinema, the regular narrative of exclusion or othering of minority ethnic, religious, and gender identities harnesses the nation-building process against groups that function as the 'constitutive outsider.' Although recent Turkish cinema has challenged many established cultural patterns, this challenge does not yet extend to stereotyped and heavily gendered constructions of Greek identity. In this paper, I argue that these constructions are persistent, and can be seen in recent films. Specifically, I demonstrate that Greek characters are limited to a few stereotypical names and roles, assigned heavy Turkish accents, and for the most part, confined to female roles depicted primarily as 'indecent' and/or objects of the male gaze. WOS:000451824100006 2019-01-01T00:00:00Z https://hdl.handle.net/20.500.12879/114 Action Research About Development Of Student's Artistic Form Of Expression By Conceptual Art Activities Basar, Cigdem Tanyel; Ince, Metin Since the 1960's, rapid changes and transformations in the field of art have been experienced in the light of the technological and social developments that have been experienced, and the expression forms and thought forms of today's art have differentiated. With this change in the art, there was a need for a new structuring and planning in the field of art education. The purpose of this research is to demonstrate how students' original expression patterns in artistic production have been improved through conceptual art practices. The research was designed with an action research model. Participants of the research consist of 12 undergraduate students who took Graphic Design lesson in Fine Arts Education Department of Anadolu University in the fall semester of 2012-2013 and the researcher conducting the course. Data were collected from class video records, semi-structured interviews, student diary, researcher diary, student objects/products and social media interactions. Data of the research were resolved through thematic analysis method. According to findings, it has been seen that the students have developed awareness of their surroundings by experiencing the research and inquiry process. The students have changed their conceptions of art and their distant attitudes to contemporary art and have tried to make meaning. From the research findings, students can be taught various artistic approaches such as art history, visual culture, digital art and contemporary art practices. WOS:000461078400020 2019-01-01T00:00:00Z https://hdl.handle.net/20.500.12879/113 Mediterranean Diet adherence in emerging adults in Izmir Genc, Mahmut; Genc, Seda Purpose The purpose of this paper is to evaluate the adherence and abandonment of the Turkish emerging adults in an Izmir University located at western Mediterranean coast of Turkey and to assess potential associations with anthropometric characteristics. Design/methodology/approach A cross-sectional survey (n=494, 18-27 years) carried out in 2017 among emerging adults in University. KIDMED Index was used to assess the degree of adherence Mediterranean Diet (MedDiet). The associations of KIDMED scores with demographic, residency and anthropometric were separately reported. The data were collected through standardized questionnaires directly from participants. Findings The average KIDMED score was calculated 4.862.5. Optimum adherence to the MedDiet was found only in 13.0 percent of participants, whereas 32.6 percent had poor adherence levels. Considering self-reported anthropometric data, the BMI values of the population was calculated as 22.3 +/- 3.9kg/m(2). In population, 13.9 percent of the subjects were underweight, while 16.0 percent were overweight and 3.9 percent obese. A significant association was found between BMI and KIDMED scores both in genders and residency. Originality/value This is the first study reporting the level of adherence to the MedDiet among Turkish emerging adults in terms of residency during education and the first KIDMED study conducted in Izmir located at Aegean Sea. The results support previously proposed transition concept by several scholar from different Mediterranean countries: it was found that only 13 percent of young adults having desired dietary habits in an Aegean city with local traditional cuisine highly affected by Cretan cuisine. These results are significant for University managements and health authorities in order to take actions for returning this transition contrariwise beginning with these groups. Genc, Seda/0000-0003-4572-5518; GENC, MAHMUT/0000-0001-8421-6869; WOS:000469385200005 2019-01-01T00:00:00Z https://hdl.handle.net/20.500.12879/32 Deleuze ve Türkiye Sineması: Bir izdüşüm Alma Denemesi Yılmazok, Levent Felsefe ile sinema arasında bağ kurmuş düşünürler arasında Gilles Deleuze ilk akla gelenlerdendir. Cinéma 1 ve Cinéma 2 kitaplarında geliştirdiği, filmleri temelde hareket- imge ve zaman-imge biçiminde kategorize ettiŞi düşünce sistematiŞi yeni, kendinden önceki sinema kuramsallaştırmalarından ayrı ve akademik çalışmalar açısından potansiyeli yüksek bir alandır. Bu bağlamda son yıllarda sinema içinden ve dışından çeşitli akademik çalışmalara esin vermiştir. Deleuze kavramlarını ve taksonomisini oluştururken esas olarak Avrupa ve Amerikan sinemasını temel almış, İkinci Dünya Savaşı’nın yarattığı toplumsal travmayı sinemasal anlatımda kırılma noktası olarak tespit etmiştir. Zaman-imge kategorisine sokulabilecek yerli film sayısındaki artışın, Türkiye’nin kendine özgü post-travma koşullarında oluştuğu düşünüldüğünde, Deleuze’ün düşünce sistematiğini Türkiye sinemasına uygulamak verimli olmaya aday görünmektedir. Bu makalede öncelikle Deleuze’ün bir felsefeci olarak sinemayı nasıl gördüğü ve sinema-felsefe ilişkisi üzerine görüşleri ele alınmakta, bunu hareket-imge ve zaman-imge kavramlarının açımlanması izlemektedir. Son bölümde, Deleuze’ün özellikle zaman-imge kategorisi içinde geliştirdiği kavramların son dönem Türkiye sinemasına izdüşümleri Meleğin Düşüşü ve Bekleme Odası filmleri üzerinden irdelenmektedir.; Gilles Deleuze is one of the prominent philosophers that made palpable connections between cinema and thought. He elaborated a systematical thinking in the books titled Cinéma 1 and Cinéma 2, in which he categorized the films basically as movement-image and time-image. That was a different approach than the film philosophy canon that preceded him and promises a high potential for academic inquiry. In this sense his work inspired diverse studies in and outside the field of cinema in recent years. While creating the concepts and constructing a taxonomy Deleuze mainly referred to European and American cinema and determined the social trauma caused by World War Two as a milestone for cinematic narratives. Considering the increase in the number of films in recent cinema of Turkey (which can be labeled as time-image and which have been produced under the country’s specific/distinctive post-traumatic conditions), a deployment of Deleuzian approach in cinema of Turkey might provide ground for fruitful analysis. This work first focuses on as a philosopher how Deleuze grasps cinema and situates it in relation to philosophy, which is followed by the explication of movement-image and time-image concepts. The latter part projects the various elements of time-image category to recent cinema of Turkey, by tracing the films Angel’s Fall and Waiting Room. 2018-01-01T00:00:00Z